- 1. According to the text, even though every movie employs narrative in some form, what primarily affects how stories presented?
- – Cultural values
- – Cinematic creativity
- – Cinematic language
- – Formal analyses
- 2. According to the text, if someone asked you to interpret a film or “say something arguable about it”, what kind of “meaning” are they looking for?
- – Conventional
- – Fundamental
- – Implicit
- – Explicit
- 3. Match the person with the movement or trend in movie-making with which he or she is most closely associated.
- – German Expressionism
- B.
- FW Murnau
- – Soviet Montage Movement
- C.
- S Eisenstein
- – French New Wave
- D.
- A Bazin
- – Dogme 95 Movement
- A.
- von Trier
- 4. The analysis and shot breakdown in Chapter 2, the “ice-break” scene from D.W. Griffith’s Way Down East (1920), rivals what formal pattern?
- – Repeated close-ups to emphasize Lillian Gish’s beauty
- – The technique of parallel editing
- – The contrasting of light and dark
- – Repeated long shots to establish setting
- 5. Diegetic sound:
- – is usually synchronous
- – is added in postproduction
- – includes narration and the musical score
- – originates from a source within the film’s world
- 6. Varying the length of the shots in relation to each other controls a film’s:
- – narrative structure
- – mood
- – disclosure
- – rhythm
- – fulfills expectations
- 7. What term descries the integrated techniques and concepts that connect us to the story while deliberately concealing the means by which it does?
- – Cinematic creativity
- – Cinematic narrative
- – Cinematic entertainment
- – Cinematic language
- 8. Which of the following includes events explicit presented in a movie but does NOT include implicit events?
- – Diegesis
- – Scenario
- – Plot
- – Narrative
- 9. In the old studio system, the film budget consisted of what two categories?
- – Above-the-line costs, below-the-line costs
- – production costs, postproduction costs
- – Direct costs, indirect costs
- – Overhead costs, underhead costs
- 10. The two major visual components of mise-en-scène are:
- – onscreen and offscreen space
- – design and composition
- – actors and props
- open and closed frames
- 11. Which is NOT a filmmaking technology?
- – film
- – video
- – analog
- – digital
- 12. What type of shot generally implies the observer’s superiority to the subject?
- – high-angle
- – low-angle
- – Dutch-angle
- – point of view
- 13. The viewer’s perception of cinematic space is determined by
- – lighting
- – the camera’s lens
- – acting
- – the number of shots within a scene or sequence
- 14. A sound is distinguished from others of the same pitch and loudness by its:
- – form
- – amplitude
- – intensity
- – quality
- 15. Ensemble acting, practicing/preparing for long takes, deep focus photography, and extensive low-angle shots are just some of the innovations advanced by this director:
- – John Ford
- – Elia Kazan
- – Orson Welles
- – Quentin Taratino
- 16. “A convincing appearance of truth” best defines:
- – naturalism
- – verisimilitude
- – fantasy
- – suspension of disbelief
- 17. Which of the following is a formal analysis option for Juno?
- – The movie’s treatment of class
- – The movie’s depiction of women and childbirth
- – The implications of the t-shirt messages displayed by thee film’s characters
- – The motif of the empty chair that frames the story
- 18. Match the person with the discovery, trend, or invention for which they are best known in film-making:
- – Sergei Eisenstein.
- E.
- Regarded editing as a creative process, and presented opposing forces and makes the viewer reach conclusions about the clash between the two. Ardent advocate of montage.
- – George Melies
- C.
- Credited with being “first narrative artist” and used special effects and joined short, sequential scenes.
- – D.W. Griffith
- A.
- Fundamental discovery in making movies was in the realization that a film sequence must be made up of incomplete shots whose order and selection are governed by drastic necessity.
- – Luminere Brothers
- B.
- Credited with “actuality” film making, also showing deep composition and life in natural settings.
- – Edwin Porter
- D.
- Pioneered multiple camera positions, interior and exterior settings in one movie, and crosscutting and editing.
- 19. Manipulation of what formal element is primarily responsible for both stretch and summary relationships between durations?
- – Cinematography
- – Characterization
- – Lighting
- – Editing
- 20. Dubbing has become easier with the help of:
- – digital dialogue dubbing
- – digital audio replacement
- – automatic dialogue replacement
- – avid synchronization
- 21. Three-point lighting relies on what kinds of lights?
- – Front light, fill light, backlight
- – Key light, side light, backlight
- – Front light, side light, fill light
- – Key light, fill light, backlight
- 22. What term refers to a unifying idea that a film expresses through its narrative or imagery?
- – Setting
- – Presentation
- – Storyformula
- – Theme
- 23. Which of the following is NOT a device used for cinematic invisibility?
- – Cutting on action
- – Jump cut
- – continuity of screen direction
- – Fade-in
- 24. Staging or putting on an action or scene is…the definition of…
- – Kinesis
- – Mise-en-scene
- – Framing
- – Design
- 25. Which is the best description of the difference between content and form?
- – Content is the subject of an artwork, and form is the means through which that subject is expressed
- – Content is the meaning of the movie, and form is what happens in the story
- – Content refers to a movie’s look, and form refers to its genre
- – Content refers to individual scenes or shots, and form refers to the movie as a whole
- 26. The manipulation of time and space is a function of what filmic element?
- – Processing
- – Fusing
- – Postproduction
- – Editing
- 27. Match the description to the correct part in the dramatic structure:
- – Exposition
- C.
- Provides background info. about characters…and ends with an inciting moment.
- – Rising Action
- E.
- Principal conflict develops.
- – Climax
- D.
- Protagonist faces the major obstacle.
- – Crisis
- B.
- Narrative Peak.
- – Resolution
- A.
- Narrative wraps up loose ends.
- 28. What term do we use to describe editing that creates the visual sensation that time has elapsed between shots?
- – Ellipsis
- – Separation editing
- – Time-lapse editing
- – Hard cuts
- 29. Which of the following best describes the characteristics of experimental film?
- – They are typically directed toward fiction
- – They are personal, nonconformist critiques of culture and media
- -They are star-driven, with cause-and-effect narratives
- – They are objective portrayals of real-life situations
- 30. Emphasizing importance or meaning can be achieved through the manipulation of:
- – Story order
- – Plot order
- – The film’s diegesis
- – Narrative
- 31. Which is NOT a type of narration?
- – Subjective
- – Restricted
- – Indirect
- – Direct-address
- 32. One camera position and everything associated with it is called:
- – a shot
- – a setup
- – a take
- – a gaffer
- 33. The spatial and temporal environment (whether realistic or imagined) in which the narrative takes place is called:
- – the design
- – the mise-en-scène
- – the setting
- – the narrative zone
- 34. Your professor doesn’t necessarily agree, but according to the textbook, the antagonist of a movie’s narrative:
- – is the central figure
- – can be a force of nature
- – is a virtuous individual
- – has well-motivated actions
- 35. A dissolve is conventionally employed to convey:
- – ellipsis, or the passing of time
- – a sudden, jarring shift in time and/or space
- – the omniscient camera
- – a sad or melancholy mood
- 36. Which of the following organizations is in charge of the Oscars?
- – Motion Picture Patents Company
- – Motion Picture Association of America
- – Society of Motion Picture and Television Engineers
- – Academy of Motion Picture Arts and Sciences
- 37. A match cut:
- – presents an instantaneous and disorienting advance in the action
- – helps create a sense of continuity between two shots
- – conveys the passage of time
- – intercuts two or more lines of action occurring simultaneously but in different spaces
- 38. The first dinosaur sighting in the movie JURASSIC PARK is an example of what cinematography technique?
- – Dutch angle shot
- – Aerial view
- – Scale
- – Low-angle shot
- 39. Which of the following is NOT a major movie type?
- – Western
- – Narrative
- – Documentary
- – Experimental
- 40. One of the textbook’s typology of actors is “personality actors” — actors or actresses who take their personae from the role. All of the following are example of personality actors EXCEPT:
- – Tom Cruise
- – Cameron Diaz
- – Will Smith
- – Cate Blanchett
- 41. Which of the following ensures that the viewer is watching a scene in real time?
- – a zoom
- – a long take
- – a slow take
- – a sequence
- 42. The distance in front of the camera lens in which objects in apparent sharp focus is:
- – aperture
- – focal length
- – depth of filed
- – rule of thirds
- 43. What term do we use to describe a very common and familiar editing pattern that switches between shots of different characters in conversation, often framed over each character’s shoulder?
- – Montage
- – Separation editing
- – Dialogue editing
- – Shot/reverse shot
- 44. In filmmaking today, amor studios account for what percentage of gross income?
- – 15 percent
- – 50 percent
- – 80 percent
- – 95 percent
- 45. What is the primary technique for ensuring consistent screen direction between shots?
- – the directional axis of action
- – static framing
- – the 180-degree system
- – the kuleshov effect
- 46. Realistic films generally employ the:
- – open frame
- – closed frame
- – enclosed frame
- – inclusive frame
- 47. According to the text, which of the following genres have a distinctive visual style dependent upon low-key lighting effects?
- – Science fiction, Western
- – Film noir, horror
- – Gangster, Western
- – Horror, musical
- 48. Which of the following lenses flatters space and depth?
- – The zoon lens
- – The long-focal-length lens
- – The short-focal-length lens
- – None of the above
- 49. Until the advent of digital animation, what was used to create nearly all feature-length animated films?
- – Stop Motion
- – Puppets
- – Motion capture
- – Cel animation
- 50. Musical themes are frequently associated with which of the following?
- – character
- – plot elements
- – time period
- – location
- 51. Determining physical relationships between the actor(s) and the camera is referred to as:
- – spacing
- – staging
- – visualizing
- – blocking
- 52. The Stanislavsky system evolved into what is known today as…
- – Typecast acting
- – Method acting
- – Improvisational acting
- – None of them — you’re making this up, Professor Kerezy
- 53. Most film sound is constructed:
- – in postproduction
- – on the set
- – in preproduction
- – on location
- 54. A shot of someone looking offscreen in one direction followed by a shot of a clock is most likely a(n):
- – parallel cut
- – eye-line-match cut
- – jump cut
- – montage
- 55. The process by which the human brain retains an image for a fraction of a second longer than the eye records it is called:
- – Persistence of vision
- – Apparent motion
- – The phi phenomenon
- – Critical flicker fusion
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For film appreciation MJS 1310 exam two part two, please visit this link Film Appreciation